Issued regularly ![]() 2 December, 2005 Chapter FiveContents: Evening out. — In the light. — A few details. — Accent on the décolleté line. In this chapter the writer takes the reader to the telegraph office not far from governor-general’s house on Tverskaya Street. It is not an ordinary post office, but a closed one—for official uses. The reader comes here for the first time and is very curious to see such a place furnished with the latest equipment. Let us see.
Evening out.
As a habit, we start with a draft. ![]() We draw an unfolded view of the walls and have Andrey Tikhanov “hunt for some reality.” Lets see what he got: ![]() Not bad. We’ll try to use these elements in wall décor. ![]() We prepare the textures: ![]() And superpose the ready drawn elements: ![]()
In the light.
It’s time to deal with lighting. Lets hang lusters and sconces and place here and there some antiques—oh sorry, I meant “the latest equipment.” ![]() A bit too dark. Lets light both sconces—each has a five candle lamp. ![]() It’s better. We model the lighting in the closed space. ![]()
A few details.
How about the entourage? We are going to put a mirror on the front wall which will stress the depth. Find a nice piece in an antique shop, model and light it. ![]() Heavy curtains add comfort. ![]() And smaller everyday objects make it look real. ![]() We leave open the door behind the reader. I’m just about to go off. ![]()
Accent on the décolleté line.
Turn around. And now the other way. ![]() We need a stronger feeling of turning. We hang a luster in the center. It’s a 3D model with appropriate glare and reflections on the crystal pendants—the luster is encircled with the room panorama. ![]() We won’t turn on the upper lights to keep the room semi dark. Andrey Azarov, Misha Antipin and Vanya Dembitsky did a beautiful job putting the parts together and placing the characters there to finish this fascinating scene. ![]() Final image size — 9120×1384 px Take a closer look (flash, 570 KB)
![]() (To be continued.) |
Narrated by Vasya Dubovoy |